For some
reason this has been surprisingly difficult entry to compose, I know why I find
Bujold extremely satisfying writer, but I have been struggling with how to say
it. Lois MacMaster Bujold writes space opera and fantasy and lately also both
in the romantic subgenre. Most of her formidable collection of Hugo statuettes
are for books belonging to her Vorkosigan saga, a series of novels about
magnetic but diminutive Miles Vorkosigan, the scion of a noble house on planet
Barrayar. Barrayar is struggling to rejoin galactic humanity after centuries of
isolation during which it had adopted a monarchical system of government
vaguely reminicent of 18th-century France of perhaps even more 19th-century
Russia.
On one
level, Bujold’s Vorkosigan novels are exciting space operatic romps with royalty,
conspiracies, secret missions, captivating characters and delightfull derring
do with cousin Ivan, that idiot, but what pushes them that extra notch up on my
scale is the way Bujold sneaks in quite serious sociological and psychological
themes almost casually among the action, romance and comedy. For example, Civil
Campaing is a romantic comedy, the story of Miles grandiose and hamfisted
efforts to woo his lady love. But it is also a sly look at reproductive rights
in a society where male heirs and primogeniture are paramount but which has
recently adopted advanced technology like ex-utero gestation.
In my
chosen novel, Komarr, similar dual layered structure is at work. On one hand it
is a detective story. Miles in his new job as Imperial Auditor is dispatched to
Komarr, planet Barrayar has violently annexed to its empire, to investigate an
explosion which might be sabotage. On the planet he meets Ekaterin,
long-suffering wife of the chief administrator Tien Vorsoisson, a man who seems
to be somehow involved in the sabotage. The novel shifts between Miles and
Ekaterin’s points of view, and thus in between the well crafted mystery plot
culminating on a hostage situation on a space station, there is a believable
and terse look at a woman struggling to find her way out of a relationship that
has over the years turned into emotional abuse and soul-destroying duty. And
somehow Bujold manages to write these both stories seamlessly together. Now
that is craftsmanship of highest order.
And I am
glad to see that Jo Walton, World Fantasy Award winning author of the best
dragon novel ever, Tooth and Claw agrees with me on Bujold’s excellence.
Comments
I haven't read Bujold's fantasy novels (yet), but I got hooked on the Vorkosigan books some years back. I read them all and truly enjoyed them, and for the same reason you seem to enjoy Bujold. She really is a fantastic author with the ability to seamlessly combine pure adventure with deeper themes. I would really love to see her as an GOH at a Finncon some year. :)
I haven't read Bujold's fantasy novels (yet), but I got hooked on the Vorkosigan books some years back. I read them all and truly enjoyed them, and for the same reason you seem to enjoy Bujold. She really is a fantastic author with the ability to seamlessly combine pure adventure with deeper themes. I would really love to see her as an GOH at a Finncon some year. :)
Posted by: Ben | October 22, 2008 at 21:50